Installation view, Arch (The Politics of Fragmentation), 20th Biennial of Sydney, 2016, 2016

Installation view, Arch (The Politics of Fragmentation), 20th Biennial of Sydney, 2016, 2016

Installation view, Arch (The Politics of Fragmentation), 20th Biennial of Sydney, 2016, 2016

Installation view, Drag, Push, HOOT, Mary Mary, Glasgow, 2015

Frame 1, 2015
Oil & pigment on metis & linen on painted wood & steel frame
225 × 171 cms / 88 5/8 × 67 3/8 ins

HE, 2015
Oil & pigment on metis, velvet & silk
92 × 50 cms / 36 1/4 × 19 5/8 ins

MY, 2015
Oil & pigment on metis, velvet & silk
102 × 60 cms / 40 1/8 × 23 5/8 ins

Hole, 2015
Oil & pigment on metis, silk & velvet on painted wood & steel frame
141.5 × 92 cms / 55 3/4 × 36 1/4 ins

Performance still, Drag, Push, HOOT, Mary Mary, Glasgow

Performance still, Drag, Push, HOOT, Mary Mary, Glasgow

Performance still, Drag, Push, HOOT, Mary Mary, Glasgow, 2015

Installation view, Sacre 101 - An exhibition based on the Rite of Spring, Migros Museum, Zurich, 2014

Performance film still P and C, Migros Museum, Zurich, 2014

Installation view, ‘sss T !!’, Hayward Gallery Project Space, London, 2013

!!, 2012
Oil on linen & french metis
216 × 181 cms / 85 × 71 1/4 ins

T, 2012
Oil on linen & french metis, Salome prints by Aubrey Beardsley
215 × 245 cms / 84 5/8 × 96 1/2 ins